Showing posts with label Tree Portrait. Show all posts
Showing posts with label Tree Portrait. Show all posts

Tuesday, September 29, 2015

Happy Fall, Y'all

Yellow Medley, 12x12, oil
The Fan, Richmond, VA

A little bit of all my favorite things.
1. House portrait
2. Tree portrait
2. Long Shadows
3. Light through the trees
4. Yellow galore
(Indian Yellow, Yellow Ochre, Cad Yellow Medium, Lemon Yellow. I used 'em all.)
4. Fall foliage

Happy fall! 
Follow me on instagram (@amyhrdonahue) to see almost daily autumn paintings.

Wednesday, March 18, 2015

Golden Hour, 12x16, oil

"Golden Hour"
 12x16, oil

This painting was based on photos I took on the banks of the James River, Richmond, VA, after our first big snow in February. The evening light through the trees and the twilight shadows on the fresh snow... it was just remarkable. Nothing I can paint could do justice to the beauty of that moment. Oh, but I try. And it's all I can do to try, and point your eyes back to the creation and Creator who makes such beauty all around us.


Wednesday, June 4, 2014

Day Two (30 in 30 Challenge) - One from the yard

Our Magnolia
8x10, oil

This might sound strange. I've never really had a dream house. Never really had a dream car. But I have dream trees. Yes. trees. Trees I hoped to have in my yard one day. Here they are:
1. Japanese Maple
2. Weeping Willow
3. Magnolia

Guess what trees happen to be planted in our new yard. 
Yes, not one but three Japanese Maples.
Yes, a Magnolia. A baby, but a magnolia nonetheless.
My sweet husband did some research on Weeping Willows and found that their roots can be damaging to pipes, foundations, concrete ditches, etc. He came up with a beautiful Weeping Cherry as an alternative and planted one next to our pond. 
All my dream trees. What more could a girl want? :)

Thursday, January 30, 2014

15 Paintings in 15 Days (Round 2) - Day Twelve


Winter Willow
6x8, oil
Japanese garden at Maymont Park.

Below is what happens when I don't plan out the composition of a painting in my sketchbook before beginning -- shapes painted and then completely changed. As you can see the willow tree grew and the background trees shrunk quite a bit.

 (click to enlarge)

 Lesson learned. Next time I'll sketch it out beforehand and save a little time.

Thursday, January 23, 2014

15 Paintings in 15 Days (Round 2) - Day Seven

"Harmony"
6x8, oil

A good snow scene is in order! I started this one yesterday and took a few step by step pictures:

I started the underpainting with yellow instead of my typical burnt umber with alizerin or burnt sienna.

One of the most beautiful things about snowy mornings is those gorgeous blue shadows on the snow.

I wanted to emphasize the three primary colors in the color wheel in this piece -- red, yellow and blue.

Sometimes I reach a point where there is too much paint "sloshing" around on the surface and reach a point that I wipe quite a bit off. 
 
I gave this piece a break over night (put it out in the below-freezing temps on the back porch) and started in on it again this afternoon.

And a few unphotographed phases later:

Finished for now.


Friday, September 20, 2013

Watkins Willows, 8x10

Wakins Willows
8x10, oil


Another scene from the beautiful Watkins Nursery property in Amelia, VA.

Thursday, August 1, 2013

Cloud Break Over Watkins Field, 9x12


Just gotta mention how much I enjoy mornings at the "office". :)


Cloud Break Over Watkins Field
9x12, oil on board


Wednesday, July 17, 2013

The trees are not green...

"Art education changes the way our brain perceives everything."
Carolyn Anderson

 Tree on the Bend, 6x8, oil

The trees are no longer just green and the sky is no longer blue.

You realize there are no rules to how something is made.

You realize more than ever the vast gulf of creative ability between yourself and the Creator of the Universe, who simply spoke these intricate forms and exquisite colors into existence.

Take an art class this summer, read an art book, watch an art demo, observe what you really see, create something from the beauty you see around you...

Thursday, June 27, 2013

Friday, June 21, 2013

The Carving Tree, 9x12

The Carving Tree
Maymont Park, Richmond, VA
9x12, oil on board
(email me for purchase info)

Seems like every couple in Richmond has their initials on this particular tree at Maymont. Well, except Mark's & mine. Are yours on this tree?


Saturday, May 25, 2013

Light to My Path 12x24

1. Underpainting in burnt sienna.
 
  
2. Painting in the "distance" (the sky & land behind the trees) and starting to add color to the leaves of the trees.

3. Next the tree leaves, establishing the darkest areas. I tried to use primarily "transparent" colors to make them appear as if they're glowing.
 
4. Next painting the light green leaves.

5. Finishing the leaves & starting with the foreground. Again I used a burnt sienna for the underpainting of the foreground.
 
6. More color application of the foreground.
 
7. Adding the dusting of snow 
 
8. I continued to use a process of applying paint and removing it until I got that feel of the morning sun on the snow-dusted grass.

9. Last bit was painting the tree trunks, dead leaves on the ground and retouching the trees on the far left.... and finished!


"Light to my Path"
12x24, oil on canvas

I had the piece framed in a "blond" wood floater frame. Here it is on my window sill prior to delivery at For Art's Sake at the end of April

Thursday, April 25, 2013

Tools of the Trade: Expressive Brush Strokes

Several weeks ago I wrote a post about one of the tools of the trade -- the pallet knife.
Today I want to introduce you to two more tools, ones that I myself only recently discovered the brilliance of...

1. The soft bristle brush.

All brushes are not created equal, just like all products. The qualities vary, the sizes vary, the shape of the bristles vary and the rigidity of the bristle vary (just a few of the many facets of what makes a great brush).
I'm hear to talk about the bristles today.
The bristles of the brush can be synthetic  or natural. They can by "fine" or "course". They can be rigid or soft and supple.

I tend to be all over the map with the types of brushes I use. However, I recently purchase this wonderful tool:
A very soft natural bristle brush. It's about one inch wide and filbert shaped. Makes beautiful, poetic strokes as well as rugged and abrupt. I'm loving it.

If you paint, you must uses a variety of brushes. Using the same brush, your canvas and strokes start getting monotonous. Anyway, on to tool number 2.

2. Music. Namely classical flamenco guitar.

 I was not prepared for how much it would effect my painting. I'm telling you folks, it was fun. And I didn't even realize what was happening. My tree tops were having a fiesta. Take a look:




Tool #1 (soft bristle brush) is especially useful when combined with tool #2 (flamenco music).

I can't show you the final outcome of the painting on the internet until after the "Pathways" opening. You'll either have to (a) come see the painting in real life (info here) or (b) wait till after May 3. Hope you pick option (a)!






Wednesday, April 17, 2013

Painting in Progress: "Light to my Path"

My April newsletter was sent last week. Those of you who received it (who opened it and read it) know that Carter Stuart & I are collaborating to present "Pathways", a two-woman show at For Art's Sake Gallery during the month of May.

There will also be a party/opening night which we want to invite you to attend!
It will be on Friday May 3 from 5-8pm 
at For Art's Sake Gallery
(Gayton Crossing Shopping Center)

The new space is nice and big. Let's just say I have been painting like a mad-woman to get ready.
I am very excited about some of the pieces that will be at the show. 
Here is a sneak peak:


To see the finished painting you will have to stop by For Art's Sake during the month of May.

Tuesday, April 16, 2013

Eight New Paintings at Cafe Caturra

Over the past week I hung 8 new paintings at Cafe Caturra.

If you're still hoping to see the display (while enjoying a bite to eat or a glass of wine) the paintings will be up through April 21st. 

Below are the 8 new pieces: 
(click the images to see full size)


12x9, oil on canvas
sold
This is a bit larger version of the previously posted painting "Morrissette House 6x6".


      
Deliver at the Apothecary  // Midlothian Apothecary  // Lucky and the Girls sold

    

    

Thursday, March 28, 2013

Turn at the Tree 6x6

Turn at the Tree 
6x6, oil on board
sold

This is the same tree as painted in "Last Standing". In days gone by this tree marked the turn to Stanley Owen’s house. A friend of Stanley's described his home as "a modest wooden home with a million dollar view of the sunset over the village of Midlothian". The tree is located in the median in front of the Midlothian BMW dealership and near Walmart.
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