Showing posts with label Sketchbook. Show all posts
Showing posts with label Sketchbook. Show all posts

Tuesday, September 16, 2014

Cathy Donahue



At the end of August my mother in law took a downturn in her health and passed away. She had been suffering with Multiple Sclerosis for almost two decades, but it still felt sudden.

Tuesdays were the days I normally spent time with her reading and quilting.

 
Miss her.


“An excellent wife who can find? She is far more precious than jewels…Her children rise up and call her blessed; her husband also, and he praises her: ‘Many women have done excellently, but you surpass them all.’ Charm is deceitful, and beauty is vain, but a woman who fears the Lord is to be praised.“ Proverbs 31:1, 28-30
       Catherine D. Donahue passed away peacefully in her home August 28, 2014 with family byher side – her loving husband, sons, daughter-in-law, as well as her devoted dog, Scout. She spent her last days surrounded by friends and heroically cared for by her husband, Jim, and care givers–-Monique, Sherry, Diana and Hilary.
       Cathy was born in Portsmith, Virginia. She was the second child of Henry and Norma Domme, and sister to Hank, Andy and Daniel. In high school she was voted “most likely to succeed”. She far surpassed the definition of success in every area of her life. Cathy graduated from Virginia Tech with a degree in Computer Systems, worked a successful 22-year career for the State’s Department of Information Technology as a Computer Systems Chief Engineer. She was an exceptional mother, raising two kind hearted and intelligent sons. She successfully won the hearts and affections of her husband of 39 years, her sons and daughter-in-law, Tim, Mark and Amy, as well as all who were privileged to know her. She was an active parishioner at Saint Gabriel’s Church and a beloved member of the WINGS group. She attained a Black Belt in Taekwondo at Gentle East Martial Arts even after a diagnosis of Multiple Sclerosis in 1993.
       Cathy’s greatest success may have been during the most difficult years of her battle with MS. She joyfully made the best of her circumstances, deeply inspiring everyone who met her. As the disease progressed, taking from her the ability to walk, use her hands, talk and even swallow, she kept up her hobbies – animals, quilting and reading. She laughed easily, never worried and had a smile that lit up the room.
       As her health declined, her valiant character shined brighter. Just as “suffering produces endurance, and endurance produces character, and character produces hope” (Romans 5:3b-4), Cathy’s faith and hope in Jesus Christ for the forgiveness of her sins and the blessing of eternal life grew stronger.

 From her college days

This added:

Revelation 4

After this I looked, and there before me was a door standing open in heaven. ...there before me was a throne in heaven with someone sitting on it. And the one who sat there had the appearance of jasper and ruby. A rainbow that shone like an emerald encircled the throne. Surrounding the throne were twenty-four other thrones, and seated on them were twenty-four elders. They were dressed in white and had crowns of gold on their heads. From the throne came flashes of lightning, rumblings and peals of thunder... Also in front of the throne there was what looked like a sea of glass, clear as crystal.
In the center, around the throne, were four living creatures, ...Day and night they never stop saying:
“‘Holy, holy, holy
is the Lord God Almighty,’[b]
who was, and is, and is to come.”


 It was 1:20 am. Mark and I were with her. Cathy shed two tears and breathed her last as I read these words. It was a sweet time we had with her.

 

Thursday, July 25, 2013

Sketchbook from Deep Creek Lake

Got a few sketchbook pages from our travels last week to share with you. 


(Mark's hands on the wheel while driving to MD)


(A little boat house/shed on the lake)


(The vacated former restaurant/inn next door to the condos we were renting)

(This is Anna Joy, my cousin's almost-two-year-old, wanted to help out with filling a few pages of my Summer Challenge Sketchbook. Drew her portrait from a photo on one of the pages when we got home.)



Tuesday, July 16, 2013

What's going on with the Summer Sketchbook Challenge?

  Well, it's going! 

Head over to the Summer Sketchbook Challenge blog to see everyone's progress.
Carter Stuart is also plugging away & producing some really fun & beautiful pages. Take a look at her blog as well: carterstuart.com

Below are a few pages from my sketchbook:


Tuesday, June 25, 2013

Summer Sketchbook Challenge: Portraits of the backs of people's heads

This summer a few artists and myself are challenging ourselves to draw regularly. We're calling it the Summer Sketchbook Challenge. Head over to the Summer Sketchbook Challenge blog to see who's in. We're always open for more. If you're interested, leave a comment over there with your email address and I'll add you to the group.

 
This was from Sunday, can you tell? :) 
A dear soul who is participating in the Summer Sketchbook Challenge is actually represented in one of the above portraits. Any guesses on who?
I'm guessing you'll see this page again at a later date when the rest of the boxes get filled on future Sunday mornings.

Sunday, June 23, 2013

Friday, June 21, 2013

Summer Sketchbook Challenge: First day of summer

This summer a few artists and myself are challenging ourselves to draw regularly. We're calling it the Summer Sketchbook Challenge. Head over to the Summer Sketchbook Challenge blog to see who's in. We're always open for more. If you're interested, leave a comment over there with your email address and I'll add you to the group.

Here's my first page:

 
 
It's Mark being sweet and washing the dishes.

Of course I skipped the first page of the sketchbook, because it's intimidating to put something on that first page. So technically this is page 2, but sketch #1 of the Summer Sketchbook Challenge. I'll come back to page 1 once I'm "in the swing of things".
 
We've got a good little group participating. I'm looking forward to the camaraderie and gaining inspiration from each other over the summer. 

Tuesday, June 18, 2013

Tuesday, August 21, 2012

Sketchbook: St Lucia

A few sketchbook pages from our 3 year anniversary trip to Saint Lucia.








Friday, July 20, 2012

picture dump & a quote

A few photos from the week:

Hollow Tree & Richmond Rooftops framed with Dick Blick frames.
(Museo & Concerto frames)

Bit of plein air sketching.

The wooden man.

My toes again. 

Progress.

Wrestling with mixing a natural looking green: 
Ivory black with various blues and yellows.

Progress -- another Maymont tree painting.


"When we start to paint, we talk in terms of the thing we are trying to paint as opposed to the shapes we are trying to make. This inability to conceptualize the world and abstract it holds us back as painters. In the beginning we are convinced that we are drawing or painting trees or buildings or faces when all we are making are shapes on a canvas."



Friday, July 13, 2012

Sketchbook: Revisiting an old subject

The Midlothian Coalmines.
The subject of quite a few of my plein air studies in college, sketches & a 4 ft painting, which I never brought all the way to completion. 


(Slicci pen in my moleskine & chalk pastel.)

Wednesday, June 27, 2012

Yes, those are my toes.

A few from the sketchbook. I'm loving the curves and squiggles in these tree trunks/branches. It's really remarkable the variety of growth patterns in the trees.

coffee wash, graphite

slicci pen, chalk pastel

Friday, March 2, 2012

7 canvases

There is so much I'm still figuring out. Through art school I relied on my draftsmanship, my ability to draw what I see, every detail of it. It's still what carries my art. However, a well-rendered drawing does not equal a successful drawing.

I have an itch to play around with my method. Break out of it, let it evolve. Find thrill in the creative process again. I've set aside 7 canvases for experimentation and practice. Two down. One major flop.  It was exciting -- I probably learned more from that flop than I did from the successful painting.

Here are a few of the things I'm focusing on with this project:

1. Paint only the details that are essential. NOT painting extraneous details.
2. CONSTANTLY assessing the focal point & how every part of the painting relates to it.
3. Invent things. Change the shape/size/texture/color/adding/removing things. (This is what got me into trouble with one of the paintings. Learned: Don't sacrifice proper perspective in effort to create a more interesting composition.)
4. Soft edges. Need more of them. This goes back to #1.
5. Painting from across the room. This hasn't happened much so far because of how much I'm running. Legs are tired & I end up sitting down.
6. Be more conscience of the flow of the eye through the painting. Use brush strokes, values & lines to keep this up through the painting process.
7. Choose a mood or feeling or some mood or quality I want to communicate (or let it choose itself) in the painting and be more conscience of aiming the painting toward that goal. This might change as the painting unfolds, but always have a conscience goal.
"There are times when I have started a work with an end in mind, but then, for one reason or another, as my picture unfolded, it emphatically suggested another direction... I always accept the risk and go for it. I'm convinced that at such times my painting is wiser than I am." Richard Schmid.
8. Don't wait to stop when the canvas is covered in paint, don't stop as soon as the canvas is covered with paint. Stop when the point of the painting is communicated.
"How often have we all come to that crucial point in a painting where it is practically 'begging' us to stop before we ruin it? We have all had that experience and we risk failure, or at the least mediocrity, if we ignore the voice in our art." Richard Schmid.
"The strength and clarity of the picture you envision at the start will tell you when you are done. You are finished when you have said what you wish to say, when nothing added can make it better." Richard Schmid.
9. Create a painting, poetry with lines and shapes and colors. Don't copy a scene. (I'm so guilty of this over and over and over.)
10. Take B&W photos during painting process to assess the value & shapes.
11. Simplify.
12. Paint faster.
 "Paint like a pig eats." Richard Schmid.





I'm enjoying painting with no pressure to produce something final. I've wiped out 3 underpaintings so far. Like I'm back in painting 101. A bit of fresh passion perhaps? I've been painting in my dreams again too. Feels good.

P.S. How great are those Richard Schmid quotes?


Thursday, July 21, 2011



Grammie, beach at Kitty Hawk.







Jonathan Edwards, a few of his 70 resolutions.

During long trips on horse back, he would think through arguments regarding religion. Plain pieces of paper pinned to his cloak, associating thought with paper. Considered one of the most brilliant thinkers of America.
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