Showing posts with label On location. Show all posts
Showing posts with label On location. Show all posts

Saturday, April 18, 2015

Painting in Ashland, VA


These paintings will be part of a 4-man/woman show at Gallery Flux opening May 7th, 5:30-8.
The show is up May 7-June 27, 2015.
More info here: Close to Home
Would love to see you at the opening!

Ashland Station in the Snow
9x12, oil

Feed and Seed
6x8, oil

DeJarnette Park Study
6x8, oil

Frozen Over at DeJarnette Park
16x20, oil

Who Can Resist a Blue Sky
30x40, oil

Backdrop of Blue
8x8, oil

Ashland Presbyterian Church
6x8, oil

Byrd Mill
6x8, oil

Crossing
6x6, oil

(Needs a Title)
10x11, oil

Thursday, March 5, 2015

How to Paint a Painting in 46 Seconds

How Do You Paint a Painting in 46 Seconds?

I have no idea.

But, please, enjoy the video...




"Snow Fall at Woolridge Lake"
9x12, oil




Tuesday, March 3, 2015

4 Tips for Painting in Cold Weather



 I've been doing a bit of cold weather plein air painting recently. There's something about the winter light that I love more than other times of the year -- when the weather is more reasonable.  

Not to say that I had a choice between reasonable and cold, just as the poor daffodils started to emerge the East got hit with some record lows and snow. While I enjoy studio painting, there is that "certain slant of light" moves me, it excites me... poor Emily never saw it that way. I may be the only one who wouldn't mind another snow or two, even though it's March.




I've learned a few cold weather painting survival strategies. Thought they might be worth sharing.

Top tips for painting in the cold weather:

1. Snow pants. Back in my snowboarding days I received some fantastic snow pants. Now they're christened with paint.

2. Hot Hands hand warmers (stuffed into the palm of my gloves). The best.



3. Stand on a car mat instead of the snow.
It's the difference between leaving the spot after 2-3 hours of painting with toes almost-too-painful-to-walk and toes feeling okay. I could buy better boots. That would be too easy.



4. Get the paint good and warm before setting out to paint.
During the rest of the year I throw my easel loaded with paint in the trunk of my car when driving to location. In these temps the easel/paint are placed next to the passenger side floor vents and heat blasted while driving to location. When the paint gets too cold it becomes "stiff". It won't freeze, but it becomes difficult to move around/mix/paint with.


There you are. Dare to join?


Friday, February 6, 2015

Sunset



Some things (most things) are too beautiful, too momentary to record with paint... or camera.
And I am satisfied to witness the event.




Tuesday, November 4, 2014

How to title a painting and Paintings of Bellevue, Richmond, VA


If you were to paint a scene on Chevy Chase Street, what would YOU title it?

I decided to look up titles of films starring Mr. Chase as I was brainstorming for a title. Sure beats something like, "Yellow House" or "Tree Lined Road". I tend toward Capt. Obvious when it comes to titling my work.

"Seems Like Old Times"
9x12, oil
Available at Stir Crazy Cafe November 2014
4015 MacArthur Ave, Richmond, VA 23227


I haven't actually seen this film. But I wasn't about to name the painting "Christmas Vacation" or "Three Amigos".

Have you seen "Seems Like Old Times"? Worth a watch?

"Cindy's Garden"
20x10, oil
Available at Stir Crazy Cafe November 2014
4015 MacArthur Ave, Richmond, VA 23227

Leaning toward Capt Obvi in this title. Hey, it sure beats "Blue House" or "Red Chair and Wheel Barrow". Cindy was the lovely lady who welcomed us (artists from the VPAP group) into her backyard. I actually painted a different painting while on location that morning. It was June and it was hot and muggy. The painting didn't turn out so great. Win some lose some. Right after I finished I wanted to paint this direct shot of the back of Cindy's house. Unfortunately the sun had risen and there was no shaded spot to set up and paint this angle. Took a few photos and composed this painting in my air conditioned studio.

Monday, October 27, 2014

The simpler the better

If you followed me on Facebook or Instagram last summer you'll remember the time I painted these waterfalls.


It was such a thrilling thing to paint, but my painting didn't turn out well. It was really a case of sensory overload. A painting needs focus to communicate the feeling of a place. In this case everything was so beautiful and I didn't focus on one particular aspect of the place to focus my painting.

Back in the studio, with my memory, the failed painting from that day and a few reference photos I was better able to construct a painting that communicated (1) scale and (2) the cascading falls.

I arranged the painting into a light area (in the center) and a dark area (surrounding). I minimized the contrast in value in those major shapes and GREATLY simplified the edges where the dark met the light.  I also prepared a board with an aspect ratio better suited to eliminate extraneous information (i.e. the water in the foreground, the sky in the background).

Swallow Falls
5x8, oil on board

--

Wednesday, October 15, 2014

One from last week at Fine Creek in Powhatan

I had a wonderful morning before some rain last week painting at The Mill at Fine Creek, a gorgeous wedding and special event venue in Powhatan, VA. You can see some of the stone structures that perhaps supported various parts of the gristmill.

So many potential paintings at Fine Creek, but this particular set of lines and shapes caught my eye.

I might have embellished the amount of yellow in that tree bough. 

Autumn's First Branches
8x10, oil

Monday, October 6, 2014

Huguenot Flatwater - From small to large

Huguenot Flatwater
6x8, oil

I created this little painting one morning this summer. It seemed to capture the feel of summer on the James. Back in the studio it grew up into a larger piece - 18x24 inches. Worked on the "hazy day" feel as well as creating more of the illusion of distance just as the river bends.

Was hoping to include this piece in my upcoming show at For Art's Sake Gallery in December-January, but the gallery owner found a home for it right after I finished it.

More paintings of featuring the James River in all the different seasons of the year to come!

Huguenot Flatwater
18x24, oil
sold

Wednesday, October 1, 2014

Lily Pads on Walton Lake, 6x10

Lily Pads on Walton Lake
6x10, oil on board
Available at Gallery Flux

I've posted this one before, while it was still on the easel.

Two people mentioned it reminded them of Chuck Larivey, which is quite an honor. However, it's only because of the subject matter. He is famous for his water lilies.

Maybe I was hoping for a mention of -- well -- Monet

Just kidding!

Wednesday, September 24, 2014

"Morning, Sunshine" 9x12

Morning, Sunshine
9x12, oil

I've always thought I liked painting the hues of the winter evening sky the best, especially the deep, deep dusky blue. Must say, this summer may have changed my mind. The warmth of the light, especially on this morning in early August, was just delicious. It felt so hopeful, so reassuring.

"The Lord is my light and my salvation; whom shall I fear?"
Psalm 27:1

Tuesday, September 23, 2014

Transience

"It is Well"
7x9, oil on canvas 

There is nothing like the passing of a human life in effectively re-centering priorities. It is a beautiful time, yet much less productive time, at least in tangible things. Not as many checks next to the items on my to-do list. My thoughts have been less focused on painting, especially blogging. Days and evenings have been spent with people who need the company. There have been more phone calls, more focused attention on people, more time in prayer.

But for me, there is no such thing as a "work-life balance". My life informs my work. My work is often meditation on life.

This life is so transient. Painting the sunrise will teach you.... As will the passing of a loved one.

You can send cards on birthdays, sit through the family dinners be there in body, know a person in fact and miss knowing their soul. (I don't say this because I have regrets with Cathy's life. I don't have any. I say this because there are others in my world into which I don't currently invest heart and soul.)

You can take a thousand photos of the sun as its rays reach over the horizon and transform the morning into another world. You can know how to mix a deep sky blue or the color of a tree  in the shadows. You can paint one hundred paintings and say "that was fun". You can look at a scene and recognize that it is beautiful. You can do all these and miss knowing the One who spoke those things into existence. This world is nothing but a whisper of the glory of His character, a reflection of His beauty, a glimpse of His love and a fragment of His power.

Words do no justice. Nor does my paint and brush. But I feel as George Herbert when he wrote of his poetry:

Hearken unto a Verser, who may chance
Rhyme thee to good, and make a bait of pleasure.
A verse may find him, who a sermon flies,
And turn delight into a sacrifice.

I hope that with my brush I can in a small way "turn delight into a sacrifice" for my viewers as well.

Monday, August 11, 2014

Clyde Kilby's Resolution & the Super Moon

I first heard about Clyde Kilby through a John Piper sermon. He then posted Kilby's 10 resolutions for mental health on his blog. There is something so refreshing to feeling small on a great big planet, in a great big universe, held together by an even greater and bigger God. It is a gulp of oxygen to the soul.

Here is the Clyde Kilby quote I mentioned in my Gallery Talk on Thursday:

At least once every day I shall look steadily up at the sky and remember that I, a consciousness with a conscience, am on a planet traveling in space with wonderfully mysterious things above and about me.

 I spent Saturday night feeling this so deeply. The night sky and the sunrise are especially potent reminders.


Super Moon, 6x8, oil

It wasn't the night of the fullest moon appearance, still just stunning!


Nocturnes are tricky. Incredibly fun, but tricky. I was painting by the light of the porch lights, but far enough away to be able to see around the corner of the house. You never quite know what colors you are really mixing and applying. 

The Change in the Sky

Setting
July 17, 2014, Deep Creek Lake, MD
6x6, oil 

 
First Lights
July 17, 2014, Deep Creek Lake, MD
6x6, oil
inquire

These were painted the same evening as the sky transformed minute by minute. It is amazing how quickly the colors change. By the time one color is mixed and applied it has morphed into another even more beautiful hue.

Oh, to paint the evening horizon. So difficult, so magnificent, so overwhelming... but so rewarding.

Friday, August 8, 2014

A few recent plein air paintings

Summer Reflections
 Swift Creek Reservoir
11x14, oil

Lilly pads on Walton Lake
6x10, oil


 
 The Matthew's Sunflower Field
Powhatan
11x14, oil

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