Thursday, December 11, 2014

"Waterways" Exhibition Opening Tomorrow - Dec. 12 @ 5-8pm


 I hope you'll join us at For Art's Sake Gallery tomorrow for the opening reception of "Waterways".

The exhibit will include vibrant and expressive representational landscapes of the James River through the seasons, as well as various vistas around Virginia and the surrounding states. 

The exhibit runs December 1, 2014 – February 2, 2015. For Art’s Sake Gallery is located at 9770 Gayton Rd, Henrico, VA 23238. For more information call (804) 740-1400 or visit www.forartssakegallery.com. 

Artist Statement: "Everywhere I travel scenes beg to be painted. Light and vivid color captivates me. Of course God creates the most vibrant and dynamic colors and patterns-even so, I enjoy paying homage to His designs by rendering 2D versions of what I see. I love to paint the details of what I see: the contrasts in the lights and darks and the vibrancy of the world. The heavens truly tell the glory of God (Psalm 19:1) much more effectually than my paint. They are a marvelous mystery, but still I am constantly compelled to capture them on canvas." 

Amy studied at VCU's School of the Arts, receiving her BA in Communication Arts. Now she lives in Midlothian with her husband, Mark, and dog, Theo. She paints full-time both on location and in her home studio. While subject matter can vary, she is drawn to paint the light as it interacts with the land. Her artwork often includes a hint of man-made structures settled among the natural world - a house, a figure, a pathway. Amy's paintings attempt to depict both man and land as equally subject to the effects of the sun's light and earth's atmosphere.

James River Rocks
18x24, oil

Rushing Waters
11x14, oil

Sun Drenched
6x8, oil

Tuesday, December 9, 2014

"Winter Hues" 16x20, oil

Winter Hues
16x20, oil
sold

I created a smaller painting of this scene earlier in the year with the thought to do a larger work. The smaller painting was titled "Old Friend" because it was a recreation of the view you see as you drive across the Powhite Parkway Bridge over the James River.

This was one of the first to sell in my "Waterways" show.

“Waterways”
December 1, 2014 – February 2, 2015
For Art’s Sake Gallery
9770 Gayton Rd, Henrico, VA 23238
Opening reception: December 12, 5:00-8:00 pm

Tuesday, December 2, 2014

The Making Of: "Echoes of Mercy" 24x48, oil, Painting of the Nickel Bridge on the James River

While working on paintings for my show, I knew I wanted a few bigger ones, along with a good selection of small pieces.

See all 46 paintings in person:
  "Waterways"
Exhibit dates: Dec. 1, 2014 - Feb. 2, 2015
9770 Gayton Rd, Henrico, VA 23238
 
I started with this study:
 
"High Point" 
10x20, oil on canvas
 View of the Nickel Bridge over the James River from Riverside Drive
Richmond, Virginia

I really enjoyed the process of painting the small one, especially the sky and the foreground trees. Getting the bridge at the right angle and in a straight line was tricky. As the last bits of the smaller painting were coming together I got an itch to turn it into a larger painting.

Enter the 4 foot canvas:
Above is the under-painting in alizarin and burnt umber.

I need to invest in a "big girl" easel, instead of spending so much time playing with wing nuts and levels on these tripod easels.

First step: the sky

Next: middle-ground

Not pictured: The step when I added the foreground trees and the 3-4 times I repainted them and the middle ground/river/Nickel Bridge.


"Echoes of Mercy"
24x48, oil on canvas
  View of Richmond's Nickel Bridge over the James River from Riverside Drive.
Richmond, Virginia

It was a challenge to get this painting properly exposed in a photograph. I might tweak the levels a bit more and repost later... Really, you gotta go see it in person. ;) It will be available at For Art's Sake Gallery during December 2014-January 2015.


Detail image:
Detail image:

Wednesday, November 12, 2014

Sun Spangled River, 18x48, oil

Another one for my upcoming show "Waterways"
Exhibit dates: Dec. 1, 2014 - Feb. 2, 2015
9770 Gayton Rd, Henrico, VA 23238

Sun Spangled River
Pony Pasture, Richmond, VA
18x24 each, oil on canvas

The two above are the "big brother" of a diptych I posted a week or so ago.

6x10 each, oil on panel
sold

Thursday, November 6, 2014

How to Title a Painting, Pt. 2

How to Title a Painting, Part 2

Missed Part 1? Here's the link.

 Note: This painting is part of a series for my upcoming show, "Waterways".
9770 Gayton Rd, Henrico, VA 23238
Exhibit dates: Dec. 1, 2014 - Feb. 2, 2015

 Can't wait to share more of the paintings with you!

Contentment
View of the James River from the Belle Isle suspension bridge
18x24, oil

I could have named this "spring evening" or "view of the river from the suspension bridge" or something like that. Why "Contentment"? At times -- actually, at all times -- the things I am going through in my life spill over into my artwork. I have been reading verses in the Bible on trusting God and casting anxieties on Him.  I want to be better at dealing with my circumstances in a manner that acknowledges the truth: I am not in control, God is in control and He uses "bad" and difficult circumstances for my good, to grow my character, draw me closer to Himself, or make me love Him more and this world less. 

While working on this painting I was thinking about Philippians 4:11b-13.

The apostle Paul writes:  "I have learned in whatever situation I am to be content. I know how to be brought low, and I know how to abound. In any and every circumstance, I have learned the secret of facing plenty and hunger, abundance and need. I can do all things through him who strengthens me."

I felt the colors and lighting in this painting expressed to me a quietness and trust, hence "Contentment". I wonder if it communicates contentment to you as well...


Tuesday, November 4, 2014

How to title a painting and Paintings of Bellevue, Richmond, VA


If you were to paint a scene on Chevy Chase Street, what would YOU title it?

I decided to look up titles of films starring Mr. Chase as I was brainstorming for a title. Sure beats something like, "Yellow House" or "Tree Lined Road". I tend toward Capt. Obvious when it comes to titling my work.

"Seems Like Old Times"
9x12, oil
Available at Stir Crazy Cafe November 2014
4015 MacArthur Ave, Richmond, VA 23227


I haven't actually seen this film. But I wasn't about to name the painting "Christmas Vacation" or "Three Amigos".

Have you seen "Seems Like Old Times"? Worth a watch?

"Cindy's Garden"
20x10, oil
Available at Stir Crazy Cafe November 2014
4015 MacArthur Ave, Richmond, VA 23227

Leaning toward Capt Obvi in this title. Hey, it sure beats "Blue House" or "Red Chair and Wheel Barrow". Cindy was the lovely lady who welcomed us (artists from the VPAP group) into her backyard. I actually painted a different painting while on location that morning. It was June and it was hot and muggy. The painting didn't turn out so great. Win some lose some. Right after I finished I wanted to paint this direct shot of the back of Cindy's house. Unfortunately the sun had risen and there was no shaded spot to set up and paint this angle. Took a few photos and composed this painting in my air conditioned studio.

Monday, October 27, 2014

The simpler the better

If you followed me on Facebook or Instagram last summer you'll remember the time I painted these waterfalls.


It was such a thrilling thing to paint, but my painting didn't turn out well. It was really a case of sensory overload. A painting needs focus to communicate the feeling of a place. In this case everything was so beautiful and I didn't focus on one particular aspect of the place to focus my painting.

Back in the studio, with my memory, the failed painting from that day and a few reference photos I was better able to construct a painting that communicated (1) scale and (2) the cascading falls.

I arranged the painting into a light area (in the center) and a dark area (surrounding). I minimized the contrast in value in those major shapes and GREATLY simplified the edges where the dark met the light.  I also prepared a board with an aspect ratio better suited to eliminate extraneous information (i.e. the water in the foreground, the sky in the background).

Swallow Falls
5x8, oil on board

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